In basic terms world music could be defined as music that is none Anglo-American, sung in a foreign language, using local and indigenous sounds to compose music associated with that country. However local music cannot simply be associated with national cultural identities. Due to the monopoly that Anglo-American music has over the world it is impossible that these do not influence local music. World music now seems to overlap local or traditional music with global music. It could also be argued that the term ‘world music’ was used by music shops to categorize music that doesn’t fit the norm, making it easier to sell. Many ‘global’ bands incorporate world music into their songs in the form of African drums for example, yet this is not classified as world music due to the fact that it is sung in English or composed in an Anglo-American way.
Sunday, 8 March 2009
Sunday, 1 March 2009
Is Popular Music A Mass Produced Commodity Or A Genuine Art Form?
Sunday, 22 February 2009
How Useful Is Peterson’s Production Of Culture Perspective In Understanding The Birth Of Rock and Roll?
According to Peterson, the six factors that shaped the emergence of rock and roll music in the 1950s range from the copyright law passed in 1909, the invention of vinyl records in the late 1940s through to the transistor radio and its effects on the American Youth.
Peterson explains how the transistor gave the American Youth the chance to listen to their own music away from their parents for the first time. He also explains how radio presenters began to transform into DJs trying to sell the station by making their own unique personalities. However Peterson fails to mention Rock music itself. How simple guitar rifts made it easy for budding musicians to play, unlike R&B and Jazz. He also fails to mention how the instruments had changed so dramatically in a short space of time, giving Rock its own unique sound, constituting the reader to question other factors in the birth of Rock and Roll.